Dennis Marsico holds an undergraduate degree in electrical engineering and spent seven years in the field before leaving in 1978 to enroll in the graduate architecture program at Carnegie Mellon University. After one year he abandoned architecture for photography.
From 1974, Marsico concentrated on color photography, teaching himself the dye-transfer printmaking process. His 1980 debut exhibition at the Frick Museum, University of Pittsburgh, caught the attention of Eastman Kodak, who sponsored subsequent exhibitions. Work from this period entered the permanent collections of the Corcoran Museum of Art, the International Center of Photography, and the Carnegie Museum of Art.
Commissions and grants followed: Mellon Bank's Banking and Architecture (1982), and two Graham Foundation grants supporting The Italian Hilltown and the American Main Street Small Town (1984) ( exhibited in Milan and Chicago and recognized as a forerunner of the New Urbanist movement) and a monograph on Italian neorealist architect Giuseppe Terragni, published as Giuseppe Terragni: Vita e Opere (1985).
From 1984 to 2002, Marsico's editorial travel work appeared regularly in Travel & Leisure, Travel Holiday, The New York Times, and Geo, alongside writers Jan Morris, Calvin Trillin, Diane Ackerman, and Saul Bellow. He received two Lowell Thomas Awards from the Society of American Travel Writers, and in 1993 completed a series of 16 international advertisements for Absolut Vodka.
As print journalism declined, Marsico shifted toward handcrafted artist books exploring sexuality, religion, and politics. Under his Dionysus Press imprint, Right Noise and Policing Pleasure (2003) are held in rare book collections at the Whitney Museum, the Getty Research Institute, the Art Institute of Chicago, Stanford, UCLA, and Carnegie Mellon, among others.
His 2005 Mattress Factory installation Passion and Politics introduced encrypted imagery and interactive lighting into his practice, accompanied by three collaboratively produced artist books with poets Jeff Thomson, Terrance Hayes, and Jim Daniels. A second installation, Face Value (2009), shown at the Butler Institute of American Art, extended this approach using enlarged currency engravings with viewer-triggered encrypted messages.
Age-Specific (2012), a boxed set of accordion photo-stories examining physical, mental, and sexual aging, is held in special collections at Stanford, UCLA, the University of Washington, and several other institutions. Selected works were exhibited at the 2013 Armory Show in an installation curated by the Warhol Museum.
Since 2016, Marsico has turned his lens on American democracy, chronicling what he sees as a society's drift toward authoritarianism.
Master Printmaker, 1976 to 1986
Personal dye-transfer print lab producing photo-essay for exhibition and collection. The lab was sponsored by Eastman Kodak.
Editorial Photography, 1985 to 2000
Feature stories photographer for international travel and architecture publications including; Travel and Leisure, National Geographic Traveler, Life Magazine, The New York Times, The Washington Post, Architecture, Geo, Metropolis.
Assignments with accomplished writers; SaulBellow, Jan Morris, Calvin Trillin and Diane Ackerman.
101 feature story photography assignments and 31 magazine covers
Selected Awards
1992
Communications Arts, award of excellence
The Pacific Asia Travel Association, Special Commendation
Society of Publication Designer, feature story award
1993
Society of American Travel Writers Foundation, Lowell Thomas Award for best best color photography Paradise photo-essay for Travel Holiday
American Photography, photographic excellence award
Communication Arts, award of excellence
Magazine Week, image of the week
National Magazine Award, finalist
Society of Publication Designers, 28th Annual award of merit
1994
Society of American Travel Writers Foundation, Lowell Thomas Award for best best black and white photography Winter in Tuscany written by Saul Bellow for Travel Holiday
Primio Internazionale Barbi Colombini award for the best photography of the Montalcino and Val d’Orcia region of Tuscany
Graphis travel photograph awards
Dionysus Press 2002 to 2010
Letterpress printed and bound by the artist is a series limited edition books. They are in private, university and museum artist and rare book collections.
The Whitney Museum of Art
Getty Research Institute
The Flaxmann Library of the Art Institute of Chicago
University of Pittsburgh
Carnegie Mellon
UCLA
University of Iowa
Arizona State University
Smithsonian artist book collection
Notre Dame University, Devers Program in Dante Studies
Stanford University
Photography Grants
Eastman Kodak Grant, funding for the artist printing of 34 large format dye-transfer prints, 1982
Pittsburgh Foundation, funding for exhibit at the Mattress Factory Museum, 2005
Graham Foundation, funding for travel and production of a photo-essay comparing Italian Hilltowns to American Small towns, 1985
Graham Foundation, funding for research, travel and photography for a book on the Italian architect Terragni, 1987
Corporate Commissions and collections
Mellon Bank; Commission photography portfolio entitled Banking and Architecture, 17 artist printed dye-transfer prints, 1982
PPG Industries; Commission photography portfolio on the PPG Place by Philip Johnson, 1984
Permanent Collections
Carnegie Museum of Art
Heinz Architectural Center
International Center of Photography
Butler Institute of American Art
Centro studi e archivio della comunicazione, Parma
Selected Group Shows
Cityscapes First place award, juried by Duane Michaels, 1982
Gothic Architecture University of Pittsburgh, second place award, juried by the art history faculty, 1983
Expo Arte Fotographia Bari, Italy, 1985
International Exhibition The Center and Archive of Communications, University of Parma, Italy, 1986
Pittsburgh Photography Carnegie Museum of Art, 1987
Marsico and Perrott Blatent Image Gallery (now know as Silver Eye) two person show, 1987
Acquisitions The Corcoran Gallery of Art, Washington,D.C. 1989
Assignment Silver Eye Center for Photography, working editorial photographers, 2002
-Keystone.1 Silver Eye Center for Photography inaugural biennial, 2011